Growing up in show business, I certainly saw a lot of it. Why do you think that is? Or rather, what prepared you to be able to withstand or laugh it off? Some of them have been with cast in costume, which is a phenomenal experience. Obviously, I don’t like to see people victimized by bad behavior, but I’ve often been on the other side of a lot of just batshit-crazy rants from people, and it’s very hard for me not to smile. I appreciate the challenge, and I kind of like bad behavior when I encounter it. I don’t want to say that it’s easy because it’s incredibly hard, but I like even the bad days as a producer about as much as one can. I wish I had done more sooner, but the producing part came sort of easy to me. You spent many years as a producer before segueing to writing. Venice: Luxury Brands Plan a Full Schedule of Parties - Even With Fewer Stars on the Lido Zooming in from his Grand Electric production company’s Santa Monica offices in early August, Newman opened up about navigating the dual strikes, dramatizing drug wars and why he chose not to follow his dad, legendary songwriter Randy Newman, into the music business. His reputation for getting stuff made earned the 52-year-old father of three overall deals for film and TV at Netflix, where he’s also produced The Watcher, Bright and, soon, Painkiller, a Peter Berg-directed drama about the opioid crisis. Nearly a decade later, he has multiple projects in various stages of development and moves fluidly between behind-the-scenes roles. “It was Netflix that said, ‘Hey, you’re down there holding it together. “It was out of the absolute chaos of Narcos‘ first season that I became a showrunner,” Newman explains. The veteran producer, whose résumé was lined with films like Children of Men and Dawn of the Dead, was down in Colombia making Narcos when, he says, Netflix urged him to take the reins. In fact, segueing to writing, much less showrunning, wasn’t even his idea. Eric Newman didn’t set out to be a writer.
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